{"id":4197,"date":"2020-08-23T16:45:51","date_gmt":"2020-08-23T20:45:51","guid":{"rendered":"http:\/\/www.wellspringsuu.org\/new\/?post_type=ctc_sermon&#038;p=4197"},"modified":"2020-11-08T13:31:08","modified_gmt":"2020-11-08T18:31:08","slug":"the-midnight-gospel","status":"publish","type":"ctc_sermon","link":"https:\/\/www.wellspringsuu.org\/new\/messages\/the-midnight-gospel\/","title":{"rendered":"The Midnight Gospel"},"content":{"rendered":"\n<p>Rev Ken. Continues our Spiritflix series with a message about the Netflix series &#8220;The Midnight Gospel.&#8221; He reminds us that it&#8217;s okay if we&#8217;re not okay right now.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">The Midnight Gospel<\/h2>\n\n\n\n<p><br>START OF TRANSCRIPT<br>[00:00:00]<br>The following is a message from Wellspring&#8217;s congregation.<br>[00:00:06]<br>Good morning, Wellspring&#8217;s. It&#8217;s good to see you today. I recognize I might look a little bit odd, so hold on one one<br>one second. One second.<br>[00:00:19]<br>Let me let me fix this up. There we go.<br>[00:00:26]<br>Better, isn&#8217;t it? You&#8217;re probably more used to me this way. I&#8217;m more used to me this way. Thanks for indulging my<br>goofiness. Today is for a purpose. It&#8217;s that the show I&#8217;m going to talk about for today&#8217;s Spiritfllix series, Spiritflix this<br>summer series that we do on the stories that we watch on our screens and the meanings that we find in those<br>stories. It&#8217;s a weird show. It&#8217;s a very weird show. And the kind of upside down that I presented with upside down,<br>obviously being popularized by stranger things, stranger things does not have a thing on the show for today. The<br>Midnight Gospel when it comes to the oddness and the weirdness department. And so before I get into talking<br>about the Midnight Gospel, I wanted to share with you a story that kind of sets up what I&#8217;m going to talk about<br>today. It goes back 13, maybe 14 years ago, right around the time actually within a year or two of when<br>Wellspring&#8217;s was launched in 2007.<br>[00:01:29]<br>It&#8217;s about a person who I knew outside of Wellspring&#8217;s who fully intended to come to and attend Wellspring&#8217;s, but<br>they they never did because by the time we had launched and this person had died and this person had lived a<br>long and in many ways pretty meaningful life, like packed a lot of years, a lot of life into a lot of years.<br>[00:01:53]<br>And also had not lived a very easy life because of some of the struggles that this person lived with, some of the<br>struggles that they had that kind of rippled out chaotically into the network of their beloveds.<br>[00:02:09]<br>Grieving this person was not easy for the people left behind.<br>[00:02:15]<br>And because the extended family knew that I had formed a meaningful bond with this person, they asked me to do<br>the funeral to preside at this person&#8217;s funeral. And when we started to talk about who would offer eulogies, one of<br>the first names that came up was the granddaughter of this person, of this woman who had who had died because<br>there was a strong bond, a strong connection with the granddaughter. And she spoke at the funeral. And I<br>remember how moving it was because it was so beautifully honest and truth telling without any sense of judgment,<br>just honesty. I mean, she got up and she talked about how she loved her grandmother so much and also how her<br>grandmother was not an easy person in many ways to love. And she went on to share some more details about her<br>grandmother was and I remember almost when the granddaughter got up, like there was this collective sense of<br>tightness, the like, with someone going to allude to, you know, who her grandmother really was.<br>[00:03:15]<br>And then as her granddaughter did it, with such honesty and grace, kind of this collective sigh of, yeah, we can<br>move into the truth of this person&#8217;s life, the full truth of who they were and who she will continue to be to the<br>people who remember her and loved her. And at the end of the granddaughter&#8217;s words, she played the song. I think<br>it&#8217;s simply called For Good from the musical Wicked, the Broadway musical Wicked. And it goes something like this.<br>I&#8217;m not going to sing it, but I can&#8217;t say that I have been changed for the better.<br>[00:03:50]<br>But because I&#8217;ve known you, I&#8217;ve been changed for good. I can&#8217;t say I have been changed for the better, but<br>because I&#8217;ve known you, I have been changed for good.<br>[00:04:03]<br>And that just puts such a beautiful point, honest point on what the granddaughter was saying.<br>[00:04:12]<br>I think of this sense of being changed, not necessarily for the better, but for good.<br>[00:04:21]<br>In the midst of our own current circumstances, in the midst of this pandemic, in the midst of covid-19, which has<br>revealed so much about our society that was not working back in the Times before, and most people I talked to<br>connect with talk about having been changed in some ways, really meaningfully changed for good.<br>[00:04:47]<br>I know that&#8217;s the case with me as well, but I think the jury is kind of still out collectively on this question. Have we<br>been changed or are we changing for the better?<br>[00:05:00]<br>I don&#8217;t think we know yet.<br>[00:05:01]<br>We may not know for quite a while, I think, of this question of being changed for good and changing for the better.<br>In the light of an article I read not too long ago by the writer Andrew Sullivan, who talks about in a kind of wide<br>ranging, wide, sweeping historical piece about how plagues are apocalypses. They reveal they open up what was<br>concealed.<br>[00:05:27]<br>They show.<br>[00:05:30]<br>Some of the fault lines or many of the fault lines in societies in which plagues pandemics, apocalypses, as he calls<br>them, occur, and he writes, As someone who is the survivor of a pandemic of the AIDS pandemic, someone who has<br>HIV. But in this day and age now, and with the access to resources that he has, it&#8217;s a manageable condition for him,<br>not a death sentence. But in the early days of the plague of AIDS, he lost so many friends and so many loved ones<br>who he writes as as a survivor. And when he&#8217;s doing then this wide scale analysis of plagues throughout human<br>history. He says so often when they open up those fault lines, they cause profound chaos and disordering. And<br>sometimes what happens afterward is a reordering of society in ways more accord with some of the core<br>commitments of our Unitarian Universalism, greater justice, greater equity, greater attention to human care and<br>human bonds and to society as a whole and not just certain parts of that society. Again, it&#8217;s always an imperfect<br>journey, never completed.<br>[00:06:47]<br>And Anderew Sullivan analyses this and wonders is, is that going to happen for us after when ever after is? One of<br>the things he talks about is in the wake of pandemics, religion becomes kind of become really odd and funky and<br>death cults come up. People who kind of make almost like a fetish of of death and engage in all kinds of like you<br>ever heard about the flatulence that came out of the time of plague in the Middle Ages.<br>[00:07:17]<br>But he also says forms of religion, forms of spirituality that are more oriented to the human heart, to kindness, love,<br>compassion, justice, belonging. These kinds of spirituality can also flourish in the time after as well, too. So I think<br>of all of that in connection with today&#8217;s SpiritFlix show with the Midnight Gospel.<br>[00:07:41]<br>It is very much an R rated show for older teens and for adults. It is animated and it is about a character named<br>Clancy Gilroy who is what they call or what he calls himself a space caster. He is a podcaster who lives in space on<br>the far, far regions of the known universe way, way out there. I think it&#8217;s called the chromatic ribbon. And what he<br>does is he travels through a simulator that is just, shall we say, based on part of human anatomy. He travels<br>through the simulator to visit. World&#8217;s planets that are undergoing their own apocalypses, he travels to a version of<br>Earth in which he interviews the president who is fighting off a horde of zombies, a zombie apocalypse that will<br>bring kind of the curtain down on earth. He travels to another planet, a blank planet that only has a water slide on<br>it with no water. And he ends up getting into a dialogue with death, with the personification of death, the grim<br>reaper, although kind of twisted, given what this show is and how it presents itself talking about. And this is<br>actually based on a real mortician, a writer in which she talks about how death has not been always seen the way<br>that it is in modern American society where death is removed.<br>[00:09:09]<br>And that&#8217;s a small section of the history of the world. For most of our ancestors, death was something much more<br>intimate, something they were much more acquainted with. So woven all throughout the Midnight Gospel. And<br>again, it has that word gospel right there in the title, all kinds of questions and concerns about religion and<br>particularly kind of mystical forms of religion and contemplative spirituality and depth psychology, because the<br>source material for this very, very far out and bizarre and at times not quite all that palatable. I mean, it pushes the<br>boundaries. In some ways. The show is not for everyone. It gets kind of violent and it gets pretty scatological as<br>well, too. But what this show is based on is a podcast series from the early 2010s from the Comedian and podcast<br>or Duncan Trussell. And it&#8217;s based on interviews that he did with people talking about matters of spirituality and<br>spiritual practice. And I think there&#8217;s something so beautiful in the show at this time of pandemic and apocalypse.<br>And the show wasn&#8217;t planned for this.<br>[00:10:17]<br>I just think it was, you know, circumstance serendipitous, well timed, that all these questions of kind of matters of<br>the heart and cosmic belonging and what breaks the heart and life and love and death set in these fantastical<br>situations just feels so kind of well suited for how challenging our world is right now and also at the same time, how<br>meaningful our lives are right now. The question of who matters and how do we include more people in the circle of<br>love and belonging and justice and compassion?<br>[00:11:02]<br>These are profoundly meaningful times that we are living through, even if these are abnormal times that we are<br>living through.<br>[00:11:11]<br>That&#8217;s what an apocalypse is. It reveals fault lines and apocalypses reveal possibilities.<br>[00:11:18]<br>One of the things I am noticing in the people who I think are navigating this time most skillfully, most flexibly is<br>they are people. And I try to do this myself.<br>[00:11:28]<br>I&#8217;m not always very good at it, but people who are allowing themselves to normalize how abnormal this time is.<br>[00:11:38]<br>Just learning to say themselves, this is hard, this is scary, I don&#8217;t quite know what I&#8217;m doing. I&#8217;m learning as I&#8217;m<br>going, I, I like to believe when I can treat myself and other people with grace that, you know, we&#8217;re all being graded<br>on a curve right now, or at least we should be if we can normalize abnormality, we may go a little bit easier on<br>each other and turn towards our lives.<br>[00:12:02]<br>There&#8217;s greater compassion which may open up greater capacity by accepting ourselves to actually change and<br>grow and adapt to all these things that are so challenging.<br>[00:12:18]<br>The show actually reminds me of the writer Ann Lamont. And by the way, she is I think she&#8217;s in the second episode,<br>not as herself, but as one of the bizarre characters. She&#8217;s from the original podcast and she shows up in this show.<br>Makes me think of her great little chapter and one of her books that we utilize in Wellspring&#8217;s 2.0, listening to our<br>lives called Into Thin Mud. And in it, she sets the context of her life a really difficult time, kind of a mini apocalypse<br>in in her life in which she had a profound heartbreak end of a relationship. And the beloved older people in her<br>church were dying and sick and her car broke down in the loaner car. She had four that she calls it a big Blues<br>Brothers kind of thing, which gave her a momentary lift that broke down, too. And she was having struggles with<br>money and and her elementary school age kid had a sty in his eye and like everything wasn&#8217;t working. And she<br>tried all of her well-worn go tos to kind of lift herself out of it quickly. And they all just had as many of those wellworn<br>goto&#8217;s that we can go to, especially for instant gratification. It works for a while, but it wasn&#8217;t sustainable,<br>actually.<br>[00:13:31]<br>Ended up having her feel worse until she took a walk with a friend, one of her oldest, dearest friends, the kind of<br>friend that she says she has no more face to save with. She could be fully, authentically, vulnerably herself. And<br>they took a walk in the kind of marshy, swampy, mucky area close to where they grew up in Northern California.<br>And they landed, as she said, on their butts in the mud. And they were covered with silt and covered with mud. And<br>she said she just started to laugh maniacally. And I can&#8217;t remember if it&#8217;s in this piece or another piece. But Ann<br>Lamont says that laughter&#8217;s carbonated holiness and she feels a lifting of the weight and the burden of what her life<br>had become at that moment with all of its real hardships. And she and her friend kind of fell back into the mud and<br>almost kind of drifted off for a while. When she came to she saw that the stars were starting to come out. She<br>looked up into the stars and she thought of all the hardships in her life. And she said to herself, God, I I love the<br>permission giving the grace in this.<br>[00:14:34]<br>She says, No wonder you&#8217;re this sad. She just started to ease up by accepting the truth that her life was really quite<br>difficult.<br>[00:14:47]<br>This is what I see. This is a practice that I engage with. In fact, with many people I work with being able to turn to<br>our lives and saying something, maybe with the hand on the heart, noticing the breath and a moment of difficulty<br>just validating ourselves.<br>[00:15:01]<br>This is a moment of suffering. This is a moment of pain.<br>[00:15:09]<br>It&#8217;s OK not to feel OK. And what&#8217;s so often happens, no one can make us do this. No one should want to make us do<br>this.<br>[00:15:19]<br>But the invitation is there when we feel kind of out of our depth that instead of just chugging along and moving<br>through all the time, I understand we got to get things done.<br>[00:15:29]<br>But if we never allow ourselves to turn towards our pain, we will find ourselves out racing our own shadows. Which,<br>of course, we can&#8217;t they&#8217;re always with us. And instead, if we can turn to normalize, validate our own experience<br>with compassion, kindness and curiosity, we may find underneath that permission giving approach to ourselves a<br>greater vitality, a hidden wholeness that was there all along and some resources to be able to deal with the<br>challenges of our lives, our heartbreaks, our losses, the strangeness of all of this with greater love and depth and<br>resilience, the kind of resilience that connects us to and with each other and to our own hearts.<br>[00:16:25]<br>This takes me back to the final episode of the season of the Midnight Gospel. It&#8217;s only had one season so far. I think<br>there&#8217;s a second season coming at some point.<br>[00:16:37]<br>And like I said, this is a bizarre show. And Clancy Gilroy, that space caster, can only get the sense that there&#8217;s a<br>little something off with him, like maybe he&#8217;s been avoiding his life. Like that&#8217;s why he finds himself way out there<br>on the outer edge of the known galaxy in the multiverse, kind of not facing himself. He&#8217;s on a quest for information.<br>He grows tired with that. He&#8217;s on a quest for enlightenment, but in a very spiritually materialistic way. I&#8217;m<br>enlightened. I&#8217;m enlightened, he says, until he recognizes he&#8217;s not enlightened at all.<br>[00:17:07]<br>At one point he&#8217;s just on a quest for ice cream until the final episode. Now, I would have liked this show if not for<br>the final episode, but because of this final episode. I love this show and it will have a place ongoing in my heart.<br>[00:17:24]<br>They kind of break down the sense of is this Clancy Gilroy or is this Duncan Trussell? Because they refer to Clancy<br>as Duncan in this particular episode. And it&#8217;s for this reason, the podcast, the source material that this episode is<br>taken from is from a very particular interview with a person named Denine Vendig.<br>[00:17:46]<br>It was Duncan Trussell&#8217;s mother. The podcast happened when. Duncan interviewed his mother three weeks before<br>she died of cancer in 2013.<br>[00:18:04]<br>And you get the sense listening to Denine that this is a person she was a psychologist even more, you get the<br>sense she was a healer. This is a person who had done their work, a person who had learned to show up for their<br>lives with compassion and validation in and with and through the struggle. And came out through it with a big old<br>heart, big old heart, full of love, and because this is a wild, fantastical show, we see the moment where she gives<br>birth to Duncan and we see him growing up in the two of them talking all along about death and love and all the<br>things that matter and their relationship. And then we also see Duncan Clancy laying her down in her deathbed and<br>she expires.<br>[00:18:54]<br>And then we see Duncan giving birth to his mother. Again, beautiful.<br>[00:19:01]<br>And we see the two of them transmuting, transforming, becoming a planet and stars in space.<br>[00:19:09]<br>And we see them hurtling toward the inevitability of her death, represented by a black hole in this show, which can<br>be bizarre and at times off-putting unpalatable in its kind of over-the-top violence and gore and scatology. But here<br>they are studied by a group of psychedelic teddy bears who want to study a mother and son who love each other.<br>[00:19:32]<br>It&#8217;s really just gorgeous.<br>[00:19:34]<br>And as the episode starts to come to a close, as they move through life and death and rebirth and life and death<br>and rebirth, now made of stardust, made of the things that make all of us.<br>[00:19:54]<br>Talking about loss and love again, three weeks in the real world before Denine&#8217;s death, Duncan speaking to her,<br>she says it breaks all of this love and loss.<br>[00:20:07]<br>It breaks your heart open.<br>[00:20:10]<br>Our hearts have been closed because we&#8217;ve closed them, because we defended ourselves against pain and this is<br>the great matter of life and death. This opens our hearts.<br>[00:20:29]<br>And we see them rebirth into space, not what they were, but still a part of this existence.<br>[00:20:38]<br>And Duncan Clancy says to his mom, well, I love you very much and remember, this is happening in the real world.<br>[00:20:47]<br>And she responds, I love you. I love you, too.<br>[00:20:52]<br>I love you, Duncan. And that kind of love isn&#8217;t going anywhere. And there&#8217;s another thing you find that I may leave<br>this plane of existence sooner rather than later. But the love isn&#8217;t going anywhere.<br>[00:21:13]<br>I&#8217;m as certain of that as I am of anything. And I&#8217;ve got to tell you, I&#8217;m sitting there on the couch watching this.<br>[00:21:26]<br>And for some of you know a little bit about my personal history, it was my mother&#8217;s untimely death that for a long<br>time changed me for good, but did not change me for the better.<br>[00:21:38]<br>I can&#8217;t say that&#8217;s true anymore. Thankfully, I think it&#8217;s changed me for good and it has changed me for the better.<br>But not at first, especially not for the first decade after her death. And I am sitting there. I am openly weeping on<br>the couch.<br>[00:21:52]<br>It is a beautiful episode.<br>[00:21:58]<br>Being able to allow ourselves to be not just changed for good by these times, but to be changed for better.<br>[00:22:08]<br>I think it means accepting this invitation.<br>[00:22:13]<br>To as Paul McCartney would say, let it out and let it in life, love all of it and close with this story from Rachel Naomi<br>Remen, who&#8217;s a doctor and even more a healer who at the age of 15, when she received a diagnosis of severe<br>Crohn&#8217;s disease that led her to well over a dozen intensive operation surgeries in her life, was told by the doctor<br>point blank, you will not be able to live a full life. And how much depression that despair caused her. But she found<br>her way to the other side and became a healer, became a collector of healing stories, and she tells a story about an<br>E.R. doctor, a very skilled E.R. doctor, but a doctor who wasn&#8217;t quite connected to his heart and he knew how to do<br>what he needed to do.<br>[00:23:06]<br>Well, and sometimes that included right there in the E.R. delivering babies. And he took a lot of pride in it. But in a<br>kind of detached clinical sense, he was good at it, but his heart wasn&#8217;t. There was one time that he delivered a<br>baby in the E.R. and he was holding the baby because he was clearing the baby&#8217;s lungs, about to hand the baby<br>back to mom and the baby&#8217;s eyes. Popped open.<br>[00:23:39]<br>And he thought this doctor did this clinically detached Dr..<br>[00:23:46]<br>His heart wasn&#8217;t really in his work, he thought, this person I am the first person this new person is ever going to<br>see, and something shifted in him immediately.<br>[00:24:04]<br>Something opened and he came alive in a way he had not been until that moment. Something full and rich and<br>meaningful opened in him.<br>[00:24:23]<br>I love this story because it talks about how we can allow ourselves to perceive with the receptors of our heart to<br>look upon life again, fully, meaningfully, even in the midst of disruption and death and disorder, kind of like an<br>emergency room sometimes as often as.<br>[00:24:47]<br>But if we can perceive through the openness of our own hearts that even as we move through a time of disruption,<br>death and disorder, we can individually.<br>[00:24:58]<br>Collectively and yeah, I trust the midnight gospel here, perhaps even cosmically, come alive in ways we have not<br>yet come alive. May you open and perceive with the reception receptors of your own heart today.<br>[00:25:20]<br>And may you live in Blessing. Will you pray with me? A simple prayer today.<br>[00:25:34]<br>Spirit breath. We be as fully alive as we are capable of in this moment, may we recognize that we are in the middle<br>of it right now and it is OK not to be OK if we give ourselves permission to have the feelings and the thoughts and<br>the N.S.A. and the angst and the anxiety, but also the love and the connection and the belonging.<br>[00:26:03]<br>That is parts that are parts of this full life.<br>[00:26:10]<br>Today, may we live truly a full life, if you enjoy this message and would like to support the mission of Wellspring&#8217;s,<br>go to our Web site. Wellspring&#8217;s UU That&#8217;s Wellspring&#8217;s the letters UU ,dot ORG.<br>END OF TRANSCRIPT<br>Automated transcription by Sonix<br>www.sonix.ai<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rev Ken. Continues our Spiritflix series with a message about the Netflix series &#8220;The Midnight Gospel.&#8221; He reminds us that it&#8217;s okay if we&#8217;re not okay right now. The Midnight Gospel START OF TRANSCRIPT[00:00:00]The following is a message from Wellspring&#8217;s congregation.[00:00:06]Good morning, Wellspring&#8217;s. It&#8217;s good to see you today. I recognize I might look a little bit odd, so hold on one oneone second. One second.[00:00:19]Let me let me fix this up. There we go.[00:00:26]Better, isn&#8217;t it? 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